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I have been experimenting with some site diagrams of the existing conditions of Long Wharf in Boston. I am mostly interested in introducing texture and depth to diagrams that are typically presented in a more simplified manner using solid colors and no gradients.
However, I want to go to the other extreme and see what kind of diagrams can be generated using lots of texture and shading. Above is a composite image of several different diagrams layered together.
Below are the individual diagrams. The goal was to give a slightly different graphical look to each diagram but have the whole series feel as if it came from the same family. These were all generated from one Photoshop file, but with different color overlays and levels of saturation applied to each.
I like to overlay the aerial image to bring in more information, detail, and texture. In this case, I desaturated the aerial image and will bring in the color later. A clay model rendering using Kerkythea.
With the base image setup, I then began applying color on top of the base image to punch up certain aspects of the illustration such as buildings, roads, and water.
Each color overlay is on its own layer such as the roads on one layer, buildings on another, etc so that I can individually control the color and opacity. This is where having the layers separated out worked to my advantage.
For example, I chose the layer that contained the blue color overlay for all of the buildings. This placed a black outline around that layer and therefore around each building.
I also applied a stroke to the edge of the water, docks, and boats to help define those elements as well. You may also notice that I added a diagonal line hatch to the water and buildings.
This was a texture I found online and applied as an layer overlay.One Art Analysis Written by Elizabeth Bishop Project by Hunter Hodges The Poem Poem as a whole Biography of Elizabeth Bishop Elizabeth Bishop was born in in Worcester, Massachusetts.
The opening stanza of Elizabeth Bishops’“One Art”reveals the clear statement of the poem; the struggle with mastering the issue of loss.
Bishop uses the significance of structure and word choice to further the meaning of the poem. She crescendos each stanza to create a firm foundation for the. The poem begins rather boldly with the curious claim that "the art of losing isn’t hard to master" ().
The speaker suggests that some things are basically made to be lost, and that losing them therefore isn’t a . One Art" by Elizabeth Bishop Elizabeth bishop is an American poet; some of her works include “ a cold spring”, “geography III” “one art” and many more.
The genre of these poems is called “villanelles”. I have been experimenting with some site diagrams of the existing conditions of Long Wharf in Boston.
I am mostly interested in introducing texture and depth to diagrams that are typically presented in a more simplified manner using solid colors and no gradients.
A discontinuity is point at which a mathematical object is discontinuous. The left figure above illustrates a discontinuity in a one-variable function while the right figure illustrates a discontinuity of a two-variable function plotted as a surface in R^3.
In the latter case, the discontinuity is a branch cut along the negative real axis of the natural logarithm lnz for complex z.